After reading the previous references that served as a preliminary, we stand at the poet Muhammad Ali Alrbawi and study some Doowinh poetry. Given the length of study you choose to divide it into parts so as not to tax the patience of readers of the Oujda City. And with you today the first part, which includes references on the threshold of the title and the cover of Staff.

Reading in the office (of boiling stones) of Muhammad Ali Alrbawi

Y - Mohammed Abu Osama Dechisi

Introduction:

Many paradoxes of the relationship between the adoption of creative and recipient, and the motive beyond the first problem in the building color, sex, moral; is the need to create the second after the starting point posed by innovations Ptgelyatea and their associations. The creation of each - like that - does not constitute a fundamental building block only if the response from it and the will are strong. We in this dimension GEO effective reading and not be misleading as far as what we are trying to lighting. The wayIs only a careful reading of the Interior. "Alrbawi Muhammad Ali:" That is not tense, which the poet gives orders and prohibitions through the unilateral adoption of the "man and the universe and life," as Jllagha Mohamed Kotb 1, and not the case, the fiery revolutionary poet; but the underlying feelings of the crossing, which covers self-sufficiency through eternal suffering, and manifestations, in fact, be no more than endure the anguish it. The proof is evidenced by himself saying, inThe subject (the obligation in the Islamic literature) created a formula, where appropriate, in his opinion. The alternative was an objective from the standpoint of understanding the academic / and indication of the power of understanding, as required by the moral paradoxes. Mohammad Ali Alrbawi: "The charge is the same writer, when engaged in the process of creative freedom enjoyed by this freedom to grow and if the writer has received a culture of legality Tasmh at fault, and thus conclude that the only official Islamic literatureLiterature is consistent with the nature of Islam is a religion of balance between matter and spirit, and ego, recreation, that we have a responsibility not to generate concern in Hijran not despair, because the writer is not afraid of how expensive of God, and this writer is the secret of contentment. "2 This introduction highlights the extent to harmony in the heart of the creative process, which is characterized by the poet Muhammad Ali Alrbawi. Apart from the theory of poetry and literature in general, is a distinguished poet with theMoroccan and Arab arenas.

These are only a gesture that reflects the (Hlusath poetry) a true reflection coming from the depths. Say about his poetry: "I believe that poetry, if devoid of a self-landed. Find this element of self-reliance in each poem, even those poems which seemed to the nature of the substantive and clear. So I do not write only after suffering and suffering is the crucible in which a melting pot of self-reliance." 3 As the first step to clear from the outset, as long as the combination between a prominentVariables and the imperative of self-subject, it would have worked on these bilateral Matn poetic Alrbawi left behind. Our question is: To what extent is this harmony? Will not leave the area for a long poetic Matn ask and learn about the border and trends. Therefore, we say: The Muhammad Ali March Alrbawi the hair on the knowledge and faith. As long as this has an overriding concern, it was felt that careful attention to preventing hair worries about the Journal. Deprivation of that which wasThe poet complains about it at that stage - which is still an impact to some extent with the (First Rain). Say: the day on the roads Jmra to distribute the wine on the poets and princes, what in store for the poor? Will meet impatiently alcohol? Do you give the poor and each new face? 4 are Muhammad Ali was Alrbawi lesson is drawn from the cultural heritage and to preserve the poetic face of the poor and the martyrs. It was in the depths of his deep ocean and can not afford the Gulf: "OHot cross the ocean, if I passed the night of neighborly relations with the Pacific, it was true peace, they say: "I mentioned Zkrnahm here and sickness, and then wept .. Do you see the dream of those who cried?

5 The Court (of boiling stones) that takes the temporal space of Muhammad Ali Alrbawi stand careful about immortality: immortality of poetry, first floor, and the immortality of the creative self second. To have targeted a range of entry thresholds poetic dimension Aliihaii than Alaqraii. Before resorting to the first step, it must be borne in mind that focusing on the element of self in the poetry of Muhammad Ali Alrbawi, because it is unique Manhal, a catalyst for creativity.

1 - Fawwara stones - the first threshold: evidence to suggest. The talk on the topic of thresholds is not new, but the former did not fail during the launching of the books Bmekdmat, either private or public, and become aware of the importance of margins in the proof of the substantive changes and supplies. Therefore, exposure to this important point, which is equally informed by the importance of literary study.

1-1 - the cover of the group: Title and restructuring. Cover a total of 6 functional groups, the first line; Valsm and miscellaneous colors. Line formed by the line of authentic Moroccan, and that it does not need to explain what a poet Michpt Bmgarpeth. And the line as well as the Moroccan influence of the Holy Quran and official decrees. Group of poetry, then, an official in the eyes of the creator. Also:

(Fawwara stones - Muhammad Ali Alrbawi - felt) the words formed the direct provision of the poetry. In addition to the fee to be confused by the colors red and green: the symbol of jihad on the one hand, it is flowing through the flame of fire, and the stillness and tranquility of the silo through the rock and the ball on the other. Valtouhd Almstalp atmospheric basis of religion, the act of jihad and revolt against the bleak and sad to crisis situations which bear the shoulders of the nationArabic. The last page (the fourth) of the cover, it has led to the signing of two paintings by the artist Mustafa unanimity, the common denominator

? Along with the unit of measure between the latitude and longitude --

Kackp repetition of some symbols that we have seen on the first page of the cover and then the new element, a door or entrance arch leading to the same poet (We will, through fees) and then finally, the letter (Addaall) repeated in the second seven times, drawing, and painting the first time one along with the word (the name), which was supposed to come on the first page does not last. Vallouhtan this, a reminder of what is past, and the transformation of the mind of the reader to the gateLeading to the interior.